Storytelling - Step by step

This course is a training in the art of storytelling. Increase your impact on others by being able to tell a powerful story.

video thumb
globe
Language
English
clock
Time to complete
5 h 36 min

About this course

The course is intended for people who wish to increase their impact on others, by being able to tell a powerful story. For managers in organizations, but also for artists, writers, teachers, etc.

​​What you’ll learn in this course

  • You’ll learn the main types of stories and the structure they adhere to.
  • You will be watching and reading beautiful stories, which you’ll be able to use in your own work
  • You’ll learn how to design great stories yourself, including the main tension fields you can use in them.
  • By doing the exercises, you will have built multiple useful stories at the end of the course.


MovieLearning and use of metaphors
Show More

The course contains a lot of illustrative clips from movies, documentaries, etc. In this course, you won’t just learn how to create a good story, but also how to use movie footage to support and deepen your story. The movie clips and other examples used in the course, serve as concrete illustrations or as metaphors exposing the underlying principle. A metaphor derives its power from the fact that it works indirectly and still is recognizable, due to which the audience is more open to the message, compared to when they are served a concrete and specific advice. See chapter 2.1 for two previews

Time investment
Show More

Going through the course will take approximately five hours. This is exclusive of the time you’ll invest in the reflection questions and building your own stories.
 
It is not allowed to copy or download one or more movie clips from this course.

Curriculum

Introduction

Stories are used by people to convey information in a way that adds meaning and emotional strength to it. When the story has inner cohesion, the message will stick better. A good story is effective, due to the fact that it is connected to the mythical depth-structure of human experience. The mythographer, Joseph Campbell described this primal story as the Monomyth. Later, it became known as the Hero’s Journey, the story w... Stories are used by people to convey information in a way that adds meaning and emotional strength to it. When the story has inner cohesion, the message will stick better. A good story is effective, due to the fact that it is connected to the mythical depth-structure of human experience. The mythographer, Joseph Campbell described this primal story as the Monomyth. Later, it became known as the Hero’s Journey, the story with an infinite appeal. For that reason, Disney Studios has a rule that every movie they make has to have a link to the mythical story structure and universal themes. Only then, movies are created that people will remember for the rest of their lives (and watch over and over again). Disney has also proven that telling good stories is not only an art, but also a skill, a science, a craft. They had the theory of Joseph Campbell simplified and translated to the modern scenario practice by Christopher Vogler. This twelve-step model they use, along with writers all across the globe, also is the foundation of what you’ll learn here. Step by step, we’ll go through the main ingredients of a good story. And each time, we’ll provide examples of story elements and exercises to help you develop good stories yourself. Show More

Structure of the course

1. Overview of the various story curves

In this chapter, we’ll provide you with an overview of the structure of stories. We first will look at the story-mood that we have simplified to positive / cheerful or negative / gloomy. Then we will discuss the content more extensively as well as the many variations of complex emotions and of moral dilemmas that underlie stories. We will talk about the main character in the story, for whom we will use the term ‘protagoni... In this chapter, we’ll provide you with an overview of the structure of stories. We first will look at the story-mood that we have simplified to positive / cheerful or negative / gloomy. Then we will discuss the content more extensively as well as the many variations of complex emotions and of moral dilemmas that underlie stories. We will talk about the main character in the story, for whom we will use the term ‘protagonist’. This is to indicate that it concerns a main character, but not necessarily a hero. Moreover, it is a convenient gender-neutral word. Show More

The basic structure

The ‘Man in a hole’ story

The ‘Betty starts a relationship’ variation

Kurt Vonnegut on the S-curve

1. De Sigmoid-curve - Rags to riches (rise)

2. The inversed Sigmoid curve: Riches to rags (fall)

3. Man in a hole (Fall and then Rise)

4. Icarus (Rise and Fall)

5. Oedipus (Fall, Then Rise, Then Fall)

6. Cinderella (Rise, Then Fall, Then Rise)

The metaphor of the airplane

The diving metaphor

Pride comes before the fall, transformation and then rise again

Never give up, not even with a disability

The S-Curve of a product or service

The S-curve of a learning organization (or team)

The next chapter

2. The Double Healix model for human development

So, the S-curve can be considered a perfect metaphor for the course of human development. A broadly elaborated model based on this story curve is the Double Healix model of human development. In this chapter, we will first briefly run through this model and subsequently provide several examples of story structures that go with it. So, the S-curve can be considered a perfect metaphor for the course of human development. A broadly elaborated model based on this story curve is the Double Healix model of human development. In this chapter, we will first briefly run through this model and subsequently provide several examples of story structures that go with it.

The origin of the Double Healix model

Phase 1: Prologue

Phase 2: The Call to Adventure

Phase 3: Resistance to Change

Phase 4: Meeting the Mentor

Phase 5: The Selection Threshold

Phase 6: Star of the Day

Phase 7: Grounding

Phase 8: Reversal

Phase 9: The Dagger

Phase 10: Return to the Light

Phase 11: Death and Resurrection

Phase 12: The Elixir

Phase 13: Epilogue

Pantene commercial

Intermarché commercial

Dolph Lundgren presentation

To the next chapter

3. Deepening the story step by step

We have now travelled extensively through the land of stories. In the previous chapter, you were briefly introduced to the Double Healix model as foundation for a suspenseful story or good speech. In this chapter, we will work on building stories ourselves. Step by step, we will go through the possibilities per phase. We have now travelled extensively through the land of stories. In the previous chapter, you were briefly introduced to the Double Healix model as foundation for a suspenseful story or good speech. In this chapter, we will work on building stories ourselves. Step by step, we will go through the possibilities per phase.

Know your audience, who you are telling your story to

Build your own story

Introduction

Localization of the impulse

Characteristics and variations in the Prologue phase of the story

Underlying principle of the Prologue and place in the tension field

Write your Prologue

Introduction

Localization of the impulse

Characteristics and variations in the Call phase of the Story

Your one forbidden thing

Underlying principle of the Call, and place in the tensionfield

The Call in your story

Introduction

Localization of the impulse and variations in the Resistance phase of the story

Underlying principle of Resistance, and place in the tension field

Resistance in your story

Introduction

Localization of the impulse

Characteristics and variations in the Mentor phase of the story

Underlying principle of Mentor phase and place in tension field

Who is a mentor in your story?

Introduction

Localization of the impulse

Characteristics and variations in the Selection Threshold phase of the story

Underlying principle of Selection threshold and place in the tension field

Which Thresholds did you cross?

Introduction

Localization of the impulse

Characteristics and variations in the Star phase of the story

Underlying principle of the Star phase and place in the tension field

Your Star phase

Introduction

Localization of the impulse

Characteristics and variations in the Grounding phase of the story

Underlying principle of the Grounding phase and place in the tension field

What are Grounding moments in your story?

Introduction

Localization of the impulse

Characteristics and variations in the Reversal phase of the story

Underlying principle and place in the tension field

Your Reversal

Introduction

Localization of the impulse

Characteristics and variations in the Dagger phase of the story

Underlying principle and place in the tension field

The Dagger phase in your story

Introduction

Localization of the impulse

Characteristics and variations of the Return to the Light phase

Underlying principle and place in the tension field

The Return to the Light in your story

Introduction

Localization of the impulse

Characteristics and variations of the Resurrection phase of story

Underlying principle and place in the tension field

The Death and Resurrection phase in your story

Introduction

Localization of the impulse

Characteristics and variations of the Elixir phase of the story

Underlying principle and place in the tension field

The Elixir phase of your story

Introduction

Variations in the Epilogue

Your Epilogue

The End

5.0

Numbers of reviews: 3


Exceptional, inspiring, transformational

Eva | Data Business Partner

This course is a masterclass in storytelling, What makes it truly exceptional is the way it combines expert guidance with practical, hands-on exercises. The content is rich and engaging. I highly recommend this course to anyone who wants to elevate their storytelling,

To savour

Marleen Janssen | editor-in-chief of www.femalesecret.amsterdam

I give the online training course Storytelling a rating of 9 out of 10. The course goes into depth but is also very entertaining and fun. The visuals are to die for. I can now tell my clients a story better. Especially tricky material I can present to my target group with more air and whipped cream but also with wisdom.

Super fun, useful, visual and inspiring

Marscha | hrm-advisor

A super fun online course. Just like a good story, I could hardly wait to continue. The many videos make the course very lively and relatable. The theory texts are pleasantly and structurally written. A timeline over the entire course instead of per chapter would be nice. Because chapter 3 is by far the longest, I had to rush at the end to finish the course. But yes, I was happy to do that in the end.

Pick a subscription plan

Choose one of the options below to start the course.

3 months access

€195

VAT Included 21%

Buy 90 days access to this course

Buy this course

6 months access

€295

VAT Included 21%

Buy 180 days access to this course

Buy this course

Do you want multiple colleagues, trainees or students to enrol in this course?

We provide a discount for all orders above ten simultaneous accounts. Please contact us to discuss the options: info@movielearning.com